Working on the top of the Gaul's head

In my last three sessions, I haven't made significant progress in terms of volume. The forms are so small and complicated, and I have to keep standing back 7 feet or so to make sure that the details I'm painting in at this final stage still make sense. Below is a close-up of the hair on top. It's nearly done. On the left side of the head, you can see how rough the paint and the edges are. They will be smoothed out in this second painting phase once I get there later this week.