Thursday, October 15, 2009

Still Life -- final arrangement, but without lighting

This hasn't been easy but I've settled on a design for the first still life.

I was required to find 3 white, red, and green objects. In this exercise, there are only 2 objectives: to learn how to paint a shiny surface with colour reflections (in this case a white teapot) and to learn the indirect method of painting (the bright red napkin). The napkin is almost the colour of pure cadmium red and cadmium orange combined. Apparently, there's no way to create a full range of lights/darks in a cadmium red object without using a different technique. The normal technique would be to mix white and red together first to create a lighter value, but this only produces "pink". So the indirect technique is to paint something white FIRST and then apply glazes of cadmium red on top until the correct value is achieved...

The green is purely incidental. I was going to choose a set of plastic green grapes but was advised that they'd end up looking plastic. So then I experimented with a plastic leaves and settled on this branch of ivy. The green wine bottle in the background will be in shadow and I may pull it out entirely.

The board was suggested by an instructor as a means of adding texture that would contrast with the smooth, shiny surface of the pot. I've deliberately dangled the cloth and top leaves over the edge for another perspective.

Here's a view that from about 7 feet away. I still need to set up the canopy above the objects and angle the light differently. The light, while the correct distance, is directed straight on at the moment. I will be putting it on an angle...

Tuesday, October 13, 2009

head and shoulders

Latest update: On Thanksgiving weekend, I concentrated on modelling the head and shoulders, as well as the shirt collar. The left eye is placed marginally too high on the figure (based on source photo) and I haven't given the head the same tilt it had, either. But those are minor details that I can choose to sort out later when I return to the head. The blue shirt also needs to be darkened considerably, right to left; and the lightest light of that shirt is currently too bright. The side of the shirt leaning against the curtain also needs a darker grey shadow, which is cast down and across from the window frame. But I will only be able to work these subtlies out once the entire background is in... That's the next task. The painting is now safely at home from the cottage...

Sunday, October 4, 2009

Blue shirt and shorts...

I spent some time this past Saturday trying to catch up on other areas... The previous weekend, I worked on the hands, arms and book. Here, I tried to bring the right side of the shirt and shorts up to par, by darkening them to match the value of the arm. Same with the background surrounding the head and torso... Head, and left side need to follow suite. Ideally, once everything in the figure is at the same stage, and it feels like it's one piece, with the light moving from the left to right into darkness, then I'll be read to tackle the background.

I've started to sketch in the window pane on the front left, making the frame narrower than it actually is... And I realized too that the back end of the cottage needs to be very soft and considerably darker than I've left it. The perspective on the back window pane makes it quite grey and hazy...

 
Posted by Picasa